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Wittgenstein (1915) once wrote that the limits of our language are the
Wittgenstein (1915) once wrote that the limits of our language are the
Wittgenstein (1915) once wrote that the limits of our language are the
Wittgenstein (1915) once wrote that the limits of our language are the
Wittgenstein (1915) once wrote that the limits of our language are the
Wittgenstein (1915) once wrote that the limits of our language are the
Wittgenstein (1915) once wrote that the limits of our language are the
Wittgenstein (1915) once wrote that the limits of our language are the
Kant (in Cassirer 1974: 145) distinguishes between the terms
Kant (in Cassirer 1974: 145) distinguishes between the terms
Kant (in Cassirer 1974: 145) distinguishes between the terms
Kant (in Cassirer 1974: 145) distinguishes between the terms
Kant (in Cassirer 1974: 145) distinguishes between the terms
Kant (in Cassirer 1974: 145) distinguishes between the terms
Kant (in Cassirer 1974: 145) distinguishes between the terms
Kant (in Cassirer 1974: 145) distinguishes between the terms
VALIDITY It could be argued that the ability of the reader to
VALIDITY It could be argued that the ability of the reader to
VALIDITY It could be argued that the ability of the reader to
VALIDITY It could be argued that the ability of the reader to
VALIDITY It could be argued that the ability of the reader to
VALIDITY It could be argued that the ability of the reader to
VALIDITY It could be argued that the ability of the reader to
VALIDITY It could be argued that the ability of the reader to
Kvale (1994) argues that trustworthiness of research is constructed
Kvale (1994) argues that trustworthiness of research is constructed
Kvale (1994) argues that trustworthiness of research is constructed
Kvale (1994) argues that trustworthiness of research is constructed
Kvale (1994) argues that trustworthiness of research is constructed
Kvale (1994) argues that trustworthiness of research is constructed
Kvale (1994) argues that trustworthiness of research is constructed
Kvale (1994) argues that trustworthiness of research is constructed
Value in digital theses is comprised of both merit and worth
Value in digital theses is comprised of both merit and worth
Value in digital theses is comprised of both merit and worth
Value in digital theses is comprised of both merit and worth
Value in digital theses is comprised of both merit and worth
Value in digital theses is comprised of both merit and worth
Value in digital theses is comprised of both merit and worth
Value in digital theses is comprised of both merit and worth
The merit of digital theses is dependent upon: The artistry of the
The merit of digital theses is dependent upon: The artistry of the
The merit of digital theses is dependent upon: The artistry of the
The merit of digital theses is dependent upon: The artistry of the
The merit of digital theses is dependent upon: The artistry of the
The merit of digital theses is dependent upon: The artistry of the
The merit of digital theses is dependent upon: The artistry of the
The merit of digital theses is dependent upon: The artistry of the
Worth, on the other hand is determined by the context of the research
Worth, on the other hand is determined by the context of the research
Worth, on the other hand is determined by the context of the research
Worth, on the other hand is determined by the context of the research
Worth, on the other hand is determined by the context of the research
Worth, on the other hand is determined by the context of the research
Worth, on the other hand is determined by the context of the research
Worth, on the other hand is determined by the context of the research
Form is the configuration, arrangement and style of the digital
Form is the configuration, arrangement and style of the digital
Form is the configuration, arrangement and style of the digital
Form is the configuration, arrangement and style of the digital
Form is the configuration, arrangement and style of the digital
Form is the configuration, arrangement and style of the digital
Form is the configuration, arrangement and style of the digital
Form is the configuration, arrangement and style of the digital
Authenticity In the digital thesis, reality is a product of sensory
Authenticity In the digital thesis, reality is a product of sensory
Authenticity In the digital thesis, reality is a product of sensory
Authenticity In the digital thesis, reality is a product of sensory
Authenticity In the digital thesis, reality is a product of sensory
Authenticity In the digital thesis, reality is a product of sensory
Authenticity In the digital thesis, reality is a product of sensory
Authenticity In the digital thesis, reality is a product of sensory
Performativity: representation, presentation and re-presentation
Performativity: representation, presentation and re-presentation
Performativity: representation, presentation and re-presentation
Performativity: representation, presentation and re-presentation
Performativity: representation, presentation and re-presentation
Performativity: representation, presentation and re-presentation
Performativity: representation, presentation and re-presentation
Performativity: representation, presentation and re-presentation
The Art of Research: Digital theses in the arts

: UNESCO. , . , The Art of Research: Digital theses in the arts.ppt zip- 4606 .

The Art of Research: Digital theses in the arts

The Art of Research: Digital theses in the arts.ppt
1The Art of Research: Digital theses in 8by the context of the research. Those
the arts. Professor Anne Bamford Wimbledon people with knowledge of the values and
School of Art, London context surrounding the study establish
abamford@wimbledon.ac.uk. the worth of the piece of research. Worth
2Wittgenstein (1915) once wrote that may be greater when a research is
the limits of our language are the limits particularly original or has a stronger
of our world. If this is the case, intellectual thrust. The indicators of
expanding available research and worth in digital research include:
communication languages, enables the Accessibility; Demonstrable value to
expansion of the world as it exists in practice; Relevance to the community;
academic discourse. Ability to push conversations and ideas
3Kant (in Cassirer 1974: 145) beyond what is already known; Mobilisation
distinguishes between the terms aesthetic of passion and energy; Emergence of new
universality and objective reality. ideas and innovations, and; Longer term
Objective reality involves the truthful influence on research practices.
depiction of an object or phenomenon 9Form is the configuration, arrangement
Aesthetic universality concerns the and style of the digital dissertation. It
communicability of contemplations of the exists as an abstract ideal comprised of
object, rather than the object itself. the entities combined with, but also
Aesthetic appreciation involves enlarging beyond, the digital form. The term 'form'
understanding, through guiding the viewer implies the manifestation that results
to higher levels of contemplation. from the fashioning of particular digital
Electronic dissertations present ideas in content into a holistic, creative shape.
ways that engages the viewer in higher It involves the establishment of
order contemplation and promote deeper expressive frames that are visually,
levels of aesthetic apprehension. audibly and/or imaginatively perceivable.
4VALIDITY It could be argued that the (Whether the form created is justifiably
ability of the reader to travel in called artistic research depends upon
multiple ways through a thesis and to the desire of the maker to compose it into
interact in a dynamic way to engage with a form that expresses a nexus of feeling.)
the structure of the thesis, may lead to A postmodernist view of form applied to
greater catalytic validity. If a digital digital research argues that form exists
thesis can be said to possess catalytic as the result of interactions between
validity, the thesis should engender makers and audience and is multi-layered,
engaging conversations through the seriated and affective.
presentation of rich sensory description 10Authenticity In the digital thesis,
and challenging interpretations that reality is a product of sensory induction,
promotes within the reader space for personal conceptions, intuition, and
imaginings. imagined ideas. As Guba and Lincoln (1989:
5Kvale (1994) argues that 8) identify, constructions are
trustworthiness of research is constructed inextricably linked to the particular
through dialogue and negotiation. The physical, psychological, social, and
dialogue in digital dissertation is often cultural contexts within which they are
persuasive and aesthetic. Kvale (1994: 12) formed and to which they refer. There are
maintains that dialogic processes numerous ways the realities in a digital
inherently ensure aesthetic quality: The thesis could be configured, both by the
solidity of the craftsmanship during the author/artist and by the reader. There
production makes the accountants quality is no final authority because the mere
control of the final product less presence of the digital mediation distorts
necessary. Second, to develop strong any reality that exists. In an
products that are so strong and convincing interactive, hyperlinked thesis,
in their own right, that they so to say plausibility is reliant upon the readers'
carry the validation with them, such as a interaction with the piece and the
strong piece of art Appeals to external vicarious way they assimilate aspects of
certification, or official stamps of the work. Authenticity is challenged by
approval, then become secondary. Valid the collaborative nature of digital
research in this sense would be research production. (Digital research and
which makes questions of validity presentation is almost inevitably
superfluous.. undertaken by a team of people. ).
6Value in digital theses is comprised 11Performativity: representation,
of both merit and worth. Merit is defined presentation and re-presentation Judith
as the intrinsic beauty or artistry of the Butler argues that social reality is not a
research Worth is defined in a more long given but is continually created as an
term sense in relation to applicability, illusion through language, gesture, and
usefulness, contribution and desirability all manner of symbolic social sign.
of the imaginings formulated as a result Performative value of digital
of this study. Merit remains relatively dissertations is the manner in which
static and can largely be contained within medium, message and viewer/reader are
the process and product of the research. mutually co-dependent and expressive.
7The merit of digital theses is Hypermedia provides a direct link between
dependent upon: The artistry of the the scholarly intentions and the actions
process and product; The beauty of design of the reader. Digital scholarship
and the way the digital dissertation provides the potential for greater
works; The recognition and presentation inclusion (and transparency) of the
of new and interesting patterns of ideas; production process and greater levels of
An articulation of the limitations and interactivity between producer and
proficiencies inherent to the research; consumer (the reader/viewer). Digital
The explicitness of researcher position; research narrows the distinctions between
The support and evidence for claims made; form and content. The performative
A strong ethical dimension, and; A balance potential of digital dissertations
between divergence and convergence. encourages a greater awareness of the
8Worth, on the other hand is determined co-dependency of medium and message.
The Art of Research: Digital theses in the arts.ppt
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The Art of Research: Digital theses in the arts

The Art of Research: Digital theses in the arts

The english-speaking countries - Scotland. Australia. The English-speaking countries. Great Britain. USA. Disneyland.

the woman - = . . The wife is the key to the house. Chickens mind- . ; , , . As great a pity to see a woman cry as a goose go barefoot. 9 , : - , - ; - .

The animals - The ANIMALS of our planet. The animals which live in the polar regions. The animals which live in Australia. FISH. ZEBRA. The animals which live in the rainforest and tropics. PENGUIN. SCORPIO. GORILLA. BOBCAT. POLAR BEAR. FOX. KOALA. LION. ELEPHANT. STARFISH. WHALE. PANDA. BEAR. The animals which live in the forest.

The green movement - The main objective to achieve the decision of global environmental problems, including by attraction to them of attention of the public and the authorities. National offices Green Peace are opened in 43 countries of the world as the independent units working over achievement of the purposes of the national projects.

Sommerferien - Wir waren in der Fluss und der Wald. Wir Blume pflancen. Wir alte Schloss besuchen. Wir pflucken Beere. Langere Reise mit Ubernachtunger in einem Zelt jch findet besjnders toll. Sommerferien. Wir spiel mit dem Freund. Der Sommer wir sorgen fur Haustiere: Kuhe, Hund. Starikow Anton. Katze. Das Fischen ist Hobbi.

Olympic games 2012 - Oscar Pistorius is a man who never gives up. Opening Ceremony. Medal standings. Oscar on the Olympic Games in 2012. Closing ceremony. Olympic games in london. Summer Olympic Games 2012. London became the first city to have received three Olympics. Talismans of Games Wenlock and Mandeville. Sports facilities.

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