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| 1 | English painters. Lubov Kuzmina Ksenia Maltseva | 8 | his own the principles of ancient design in vase paintings and |
| AlexandraGutorova Gymnasium 56 10a. | bas reliefs, but also by what a natural affinity, better than | ||
| 2 | Our aim. We decided to show works of unknown English | all mere learning, he was bound to the ancients and belonged to | |
| painters and well-known one; to tell some interesting facts | them. Self-portrait. | ||
| about their lifes. | 9 | The designs for the Iliad and Odyssey were commissioned by | |
| 3 | Peter Lely. Peter Lely studied painting in Haarlem. He | Mrs. Hare Naylor; those for Dante by Hope; those for Aeschylus | |
| becomes a master of the Guild of Saint Luke in Haarlem in 1637. | by Lady Spencer; they were all engraved by Piroli, not without | ||
| He signs his works the surname "Lely" (also | considerable loss of the finer and more sensitive qualities of | ||
| occasionally spelled Lilly). After the English Restoration, Lely | Flaxman's own lines. | ||
| was appointed as Charles II Principal Painter in Ordinary in | 10 | Flaxman’s sculptures. Nelson. John Flaxman 'Cephalous and | |
| 1661, with a stipend of ?200 per year, as Van Dyck had enjoyed | Aurora. | ||
| in the previous Stuart reign. | 11 | William James Linton. In his sixteenth year Linton was | |
| 4 | As a result Lely is the first English painter who has left | apprenticed to the wood-engraver George Wilmot Bonner. His | |
| "an enormous mass of work“. Among his most famous paintings | earliest known work is to be found in Martin and Westall's | ||
| are a series of 10 portraits of ladies from the Royal court, | Pictorial Illustrations of the Bible (1833). He rapidly rose to | ||
| known as the "Windsor Beauties"; a series of 12 of the | a place amongst the foremost wood-engravers of the time. After | ||
| admirals and captains who fought in the Second Anglo-Dutch War, | working as a journeyman engraver with two or three firms, losing | ||
| known as the "Flagmen of Lowestoft", and his Susannah | his money over a cheap political library called the | ||
| and the Elders at Burghley House. His most famous non-portrait | "National," and writing a life of Thomas Paine, he | ||
| work is probably Nymphs by a fountain in Dulwich Picture | went into partnership in 1842 with John Orrin Smith. | ||
| Gallery. | 12 | The firm was immediately employed on the Illustrated London | |
| 5 | Benjamin West. West learned Wollaston's (John Wollaston, | News, just then projected. The following year Orrin Smith died, | |
| painter who immigrated from London) techniques for painting the | and Linton, who had married a sister of Thomas Wade, editor of | ||
| shimmer of silk and satin, and also adopted some of "his | Bell's Weekly Messenger, found himself in sole charge of a | ||
| mannerisms, the most prominent of which was to give all his | business upon which two families were dependent. | ||
| subjects large almond-shaped eyes, which clients thought very | 13 | Comparison. John Flaxman and William James Linton. John | |
| chic". | Flaxman draws his pictures with strong love. His pictures are | ||
| 6 | In 1760, sponsored by Smith and William Allen, reputed to be | open profound meanings to us but not every person can saw it. On | |
| the wealthiest man in Philadelphia, West traveled to Italy where | this pictures he represent Odyssey in different situations: in | ||
| he expanded his repertoire by copying the works of Italian | fight, in suffering and at the end his confession. All sense are | ||
| painters such as Titian and Raphael. | expressed very exactly. William James Linton was great | ||
| 7 | Comparison. Peter Lely and Benjamin West. On Peter Lely’s | illustrator. The word “ship” associated with thoughtful and | |
| pictures presents rich colours and dyes. He owns exceptional | winger reflection. With this picture connected mysterious | ||
| style of painting fabric. Smart fabric tell us about great | travel, old ship and choppy sea. It sais us about exciting, | ||
| character but at the same time simple one, such as his cloth. On | alarming and tranquility in author's soul. | ||
| the one hand, works of Benjamin West are similar with works of | 14 | Conclusion. We have discovered that fashion has strong | |
| Peter Lely but it’s never wasn’t so. On the other hand, also he | influence on style and type of paints but sculptures show the | ||
| writes in unusual “alive” type. In his oil-paintihg are draw | same; More than that, we have discovered that art is the most | ||
| small shines of silk and are show all natural colours, | important art in peoples’ life. Arts can express : pain, joy, | ||
| harmonious in detail. West knows how use more smaller and | dawn or anxiety of your heart; Paints show a part of warmth ; | ||
| “living” points than his colleagues. | Art it is a soul of people, it is a mysterious world. It is the | ||
| 8 | John Flaxman. What gained Flaxman, his general fame was not | world with inspiration. | |
| his work in sculpture proper, but those outline designs to the | 15 | Literature. Websites: Allday.ru Wikipedia, free | |
| poets, in which he showed not only to what purpose he had made | encyclopedia. | ||
| «Британские художники» | Художники.ppt | |||
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